差不多的故事,已有《眼泪制造者》,何必再演一遍,每次都是长相滑稽的男主千方百计的追求美丽冻人的女主. 难道长相滑稽就该付出更多吗?长相美丽就不可以主动出击,而要被动接受吗?男主那滑稽可笑的嘴脸,神经质的喋喋不休实在和言简意赅的诗歌相去甚远. 唯一亮点是这次是复婚. 让雷诺大叔为嘛死的?一场治愈系教育实验,很明显特吕弗并不想像赫尔佐格那般,引入必然相关的对文明社会理性思考的质疑,沉重的话题一出现便一笔带过,自由天性和与社会互动的必要虽没有激烈冲突,却在影片中分别散发出两者蕴含着的人性之暖,通过轻松的配乐、日记体裁和极强的文学性,无论是一次次成功的与外界互动,抑或是星光下随风晃动身体,特吕弗的懊悔和喜悦,对自然和社会,人的两种天性之间不断调和以求中庸的幸福,让这个故事轻松愉悦却回味悠长.
Within the walls of the Grave, the orphanage where Nica grew up, a legend has always been told: that of the maker of tears, a mysterious craftsman, guilty of crafting all the fears and anxieties that inhabit the hearts of men. But at seventeen years old, the time has come for Nica to leave fairy tales behind. Her biggest dream is about to come true. Mr and Mrs Milligan have sta...
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